A lamp is then on the puppeteer’s side of the stage which provides the light: the audience on the other side, sees the moving shadows. They are then controlled by long rods and are then moved behind a white translucent screen made from paper or cloth. These puppets are made from separate pieces and are then joined together with either wire or string. There areas suggest the facial features and also help define the clothing. Areas within the puppet are punched out with sharp knives. Traditional shadow puppets are flat and are made out of leather. She hand-cut beautiful opaque silhouette figures that were moved on an animated table. In 1926 German shadow puppeteer Lotte Reiniger made the first full length animated film. In Western Europe, shadow puppetry enjoyed popularity during the 1800’s when the art of cutting silhouettes out of paper was fashionable. Turkey and Greece, also have their own history of shadow puppetry, where plays are based on everyday life, they also contain much physical comedy. Many of these plays are taken from two religious epics where there is a often a struggle, between good and evil. In Indonesia, shadow plays are an integral part of tradition culture. In China the shadow plays were often folk-tales and of legends in the part, many of these were based on Chinese opera themes. It began 1,000’s of years ago in Chine and also in India. Shadow puppetry is probably considered the oldest form of puppetry in the World.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |